Margaritas Podridas Unveil Angsty New Track: “Rompecabezas”; Announce Forthcoming Record: “Metales Pesados” Arriving March 6, 2026

Shoegaze/grunge/punk rockers Margaritas Podridas are ushering in a new chapter. The band has announced they are readying a brand new record, and fans can get a deeper dive of it now.

“Rompecabezas” offers a powerful introduction to Metales Pesados, blending the band’s signature raw intensity with vocalist Carolina Enriquez’s unique vocal prowess. The track captures Margaritas Podridas at their most confident, ready to parade into a new era full force. Pre-save the new album HERE.

Margaritas Podridas Shares: “Metales Pesados is translated as “heavy metals” that’s why we picked that name. We don’t feel like the album sounds heavy metal but there are moments during the songs that feel very heavy, some mention metallic or sharp weapons because that's how we wanted to sound. We like our guitars fuzzy and pointy enough to cut.

The recording of this album saved me personally as I was being pulled by the demons of depression. It gave me a purpose to keep going. The album is the angry part of betrayal, desire for revenge and healing. Being in the studio and having a safe place to express emotions helped and we really like how it came out. It is the third album of the band and we are very excited for the audience to hear it.” PRE-SAVE "METALES PESADOS" HERE! ABOUT MARGARITAS PODRIDAS:

The Hermosillo, Mexico-based quartet Margaritas Podridas was born out of admiration for the underground rock landscape of the ‘90s, culling from the distortion-laden songwriting of the grunge scene, the scuzz-coated pop of shoegaze, and the noisy sojourns of that decade’s college rock’s guitar icons. Sonics aside, there’s a political streak and DIY ethic in Margaritas Podridas that recalls the confrontational idealism of their musical forebearers, evidenced in their underage scene building efforts in their hometown, their negation of the English language despite their growing international fanbase, and their penchant for giving the middle finger to sexism in both the music industry and the broader world.